Onlab

The collections are moving
Exhibition
1/8
✕
The collections are moving↘
Musée d'art et d'histoire Neuchâtel, 2024
Exhibition
1/8
The collection of the Musée d’art et d’histoire Neuchâtel, some 150.000 objects and images are moving. The information space allows to review the preparation’s process for the move and the different stages that mark it. Located in the heart of the museum’s exhibition rooms currently used for the treatment and packaging of works for transport, the installation allows the public to dive in the atmosphere of the move.

Related projects
Henry Brandt – Exhibition (Exhibition)
Transitions – Exhibition (Exhibition)
L’Utopie au Quotidien – Exhibition (Exhibition)
Fred Boissonnas et la Méditerranée (Exhibition)
The collections are moving
Musée d'art et d'histoire Neuchâtel
2024
Exhibition
Exhibition
The collection of the Musée d’art et d’histoire Neuchâtel, some 150.000 objects and images are moving. The information space allows to review the preparation’s process for the move and the different stages that mark it. Located in the heart of the museum’s exhibition rooms currently used for the treatment and packaging of works for transport, the installation allows the public to dive in the atmosphere of the move.
Léopold & Aurèle Robert – Communication
Various
1/9
✕
Léopold & Aurèle Robert – Communication↘
Musée d’art et d’histoire Neuchâtel, Musée des beaux-arts La Chaux-de-Fonds, 2023
IdentityPoster
1/9
The communication for this double exhibition about romantic painter Léopold Robert and his brother Aurèle takes a contemporary approach to their work. A series of 15 posters combines close-ups of paintings with a disruptive neon monospaced typographic layer and offers a radically different and almost photographic perspective to these scenes, while paying tribute and highlighting their skills.

Related projects
Léopold & Aurèle Robert – Publication (Publication)
Léopold & Aurèle Robert – Communication
Musée d’art et d’histoire Neuchâtel, Musée des beaux-arts La Chaux-de-Fonds
2023
IdentityPoster
Various
The communication for this double exhibition about romantic painter Léopold Robert and his brother Aurèle takes a contemporary approach to their work. A series of 15 posters combines close-ups of paintings with a disruptive neon monospaced typographic layer and offers a radically different and almost photographic perspective to these scenes, while paying tribute and highlighting their skills.
Léopold & Aurèle Robert – Publication
Publication
1/16
✕
Léopold & Aurèle Robert – Publication↘
Edited by David Lemaire et Antonia Nessi.
264 pages, 23.5×32.5 cm, ISBN 978-3-85881-887-4
Musée d’art et d’histoire Neuchâtel, Musée des beaux-arts La Chaux-de-Fonds, 2023
Publication
1/16
This first monograph dedicated to the Robert brothers, published on the occasion of a dual exhibition in Neuchâtel and La Chaux-de-Fonds, offers a new insight into the artworks of the two museum’s collections. In addition to essays by various specialists, the book offers a chronological catalogue of the artworks in a systematic order, as well as a central section combining a novel and close-ups of paintings.

Related projects
Léopold & Aurèle Robert – Communication (Various)
Léopold & Aurèle Robert – Publication
Edited by David Lemaire et Antonia Nessi.
264 pages, 23.5×32.5 cm, ISBN 978-3-85881-887-4
Musée d’art et d’histoire Neuchâtel, Musée des beaux-arts La Chaux-de-Fonds
2023
Publication
Publication
This first monograph dedicated to the Robert brothers, published on the occasion of a dual exhibition in Neuchâtel and La Chaux-de-Fonds, offers a new insight into the artworks of the two museum’s collections. In addition to essays by various specialists, the book offers a chronological catalogue of the artworks in a systematic order, as well as a central section combining a novel and close-ups of paintings.
Tresor: True Stories
Various
1/17
✕
Tresor: True Stories↘
Winner of the Most Beautiful German Books 2022. 352 pages, 22×30 cm, ISBN 978-3-9859547-7-3 (EN), ISBN 978-3-9859531-2-7 (DE)
Tresor Records, 2022
MusicPublication
1/17
The book recounts the epic tale of the renowned techno club, featuring on its cover the original logo – once sprayed on the club’s entrance. A chronological sequence of photographs, flyers, and other memorabilia provides an illustrated account of the club’s evolution, from its beginnings until the late 1990s. The second section of the book documents the club’s major undertakings following its relocation in the early 2000s. The publication is printed with neon colors and a coarse raster, lending consistency and coherence to images of varying quality.

Related projects
Tresor Club Visual Identity 2015-2020 (Various)
Tresor 31 (Various)
Tresor Records Artworks (Music)
Tresor 30 Years Compilation (Music)
Tresor: True Stories
Winner of the Most Beautiful German Books 2022. 352 pages, 22×30 cm, ISBN 978-3-9859547-7-3 (EN), ISBN 978-3-9859531-2-7 (DE)
Tresor Records
2022
MusicPublication
Various
The book recounts the epic tale of the renowned techno club, featuring on its cover the original logo – once sprayed on the club’s entrance. A chronological sequence of photographs, flyers, and other memorabilia provides an illustrated account of the club’s evolution, from its beginnings until the late 1990s. The second section of the book documents the club’s major undertakings following its relocation in the early 2000s. The publication is printed with neon colors and a coarse raster, lending consistency and coherence to images of varying quality.
Musée des beaux-arts La Chaux-de-Fonds
Poster
1/15
✕
Musée des beaux-arts La Chaux-de-Fonds↘
F4 (89.5×128 cm) posters
Musée des beaux-arts La Chaux-de-Fonds, 2017–2022
Poster
1/15
Posters for Musée des Beaux-Arts La Chaux-de-Fonds are made of two layers. The first one is dedicated to the artwork, printed in full format and selected for its formal aspect and potential for attraction and reproduction, mainly through screen printing. The second one accommodates overprinted titles and informations, set in the bespoke monospaced typeface developed for the museum. Despite radically different visuals from one exhibition to another, the identity remains strong and recognisable thanks to the minimalist and rigorous layout.

Related projects
Musée des beaux-arts La Chaux-de-Fonds (Various)
Le Style Sapin (Publication)
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses (Publication)
Natacha Donzé – Festins (Publication)
Musée des beaux-arts La Chaux-de-Fonds
F4 (89.5×128 cm) posters
Musée des beaux-arts La Chaux-de-Fonds
2017–2022
Poster
Poster
Posters for Musée des Beaux-Arts La Chaux-de-Fonds are made of two layers. The first one is dedicated to the artwork, printed in full format and selected for its formal aspect and potential for attraction and reproduction, mainly through screen printing. The second one accommodates overprinted titles and informations, set in the bespoke monospaced typeface developed for the museum. Despite radically different visuals from one exhibition to another, the identity remains strong and recognisable thanks to the minimalist and rigorous layout.
Swiss Literature Awards 2023
Publication
1/13
✕
Swiss Literature Awards 2023↘
Photography: Julien Chavaillaz.
244 pages, 16.5×23.5 cm, ISBN 978-3-907394-90-8
Swiss Federal Office of Culture, 2023
Publication
1/13
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.

Related projects
Swiss Literature Awards 2022 (Various)
Swiss Literature Awards 2021 (Publication)
Swiss Literature Awards 2020 (Various)
Swiss Literature Awards 2023
Photography: Julien Chavaillaz.
244 pages, 16.5×23.5 cm, ISBN 978-3-907394-90-8
Swiss Federal Office of Culture
2023
Publication
Publication
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.
Matthieu Gafsou – Vivants / Le Voile du Réel
Publication
1/18
✕
Matthieu Gafsou – Vivants / Le Voile du Réel↘
Edited by Victoria Mühlig. 192 + 160 pages, 24×30 cm, ISBN 978-2-9701613-0-1
Musée d’art de Pully, 2022
Publication
1/18
This publication is released in conjunction with the exhibition of photographer Matthieu Gafsou at the Musée d’art de Pully and is divided in two volumes. The first one showcases the artist’s latest series, “Vivants,” which delves into his growing eco-anxiety. The second volume is a retrospective of his work so far, featuring eight thematic chapters that interweave his diverse series. A visual index of the photographs can be found at the end of the book.

Related projects
Serge Fruehauf – Batirama (Publication)
Olga Cafiero – Flora Neocomensis (Various)
Yann Mingard – Ligne de fond (Publication)
Matthieu Gafsou – Vivants / Le Voile du Réel
Edited by Victoria Mühlig. 192 + 160 pages, 24×30 cm, ISBN 978-2-9701613-0-1
Musée d’art de Pully
2022
Publication
Publication
This publication is released in conjunction with the exhibition of photographer Matthieu Gafsou at the Musée d’art de Pully and is divided in two volumes. The first one showcases the artist’s latest series, “Vivants,” which delves into his growing eco-anxiety. The second volume is a retrospective of his work so far, featuring eight thematic chapters that interweave his diverse series. A visual index of the photographs can be found at the end of the book.
Tresor 31
Various
1/10
✕
Tresor 31↘
31.tresorberlin.com
Tresor Berlin, 2022
DigitalIdentityMusicPoster
1/10
“Tresor 31: Techno, Berlin und die große Freiheit” was a two-month-long exhibition and concert series commemorating three decades since Tresor’s inception in 1991 and reflecting on the impact of the club on techno music and Berlin’s cultural landscape. The graphic concept was based on archives footage, combined and overlapped in a T-shaped layout thanks to a generative and kinetic online animation. This tool was used extensively for digital assets, as well as for creating printed material and poster series throughout the city.

Related projects
Tresor: True Stories (Various)
Tresor 30 Years Compilation (Music)
Tresor Club Visual Identity 2015-2020 (Various)
Tresor Records Artworks (Music)
Tresor 31
31.tresorberlin.com
Tresor Berlin
2022
DigitalIdentityMusicPoster
Various
“Tresor 31: Techno, Berlin und die große Freiheit” was a two-month-long exhibition and concert series commemorating three decades since Tresor’s inception in 1991 and reflecting on the impact of the club on techno music and Berlin’s cultural landscape. The graphic concept was based on archives footage, combined and overlapped in a T-shaped layout thanks to a generative and kinetic online animation. This tool was used extensively for digital assets, as well as for creating printed material and poster series throughout the city.
Tentacular Writing
Various
1/5
✕
Tentacular Writing↘
tentacularwriting.arch.ethz.ch
Organizers: Metaxia Markaki (ETHZ), Johanna Just (ETHZ), Sila Karatas (EPFL)
ETH Zurich / EPFL Lausanne, 2022
DigitalPoster
1/5
This summer school intended to experiment with the ways researchers and spatial practitioners perform writing in a non-hierarchical learning format. Set up as a collective retreat, the course offered an experience of community building and a collective exploration in creative writing and collaboration. Based on a typewriter-like monospaced font, the design is a radical and kinetic interpretation of the overall topic. It creates an original visual language for the call for participants as well as a powerful system for showcasing the results of the week online.

Related projects
Atlas of Digital Architecture (Various)
Play Among Books (Publication)
Tentacular Writing
tentacularwriting.arch.ethz.ch
Organizers: Metaxia Markaki (ETHZ), Johanna Just (ETHZ), Sila Karatas (EPFL)
ETH Zurich / EPFL Lausanne
2022
DigitalPoster
Various
This summer school intended to experiment with the ways researchers and spatial practitioners perform writing in a non-hierarchical learning format. Set up as a collective retreat, the course offered an experience of community building and a collective exploration in creative writing and collaboration. Based on a typewriter-like monospaced font, the design is a radical and kinetic interpretation of the overall topic. It creates an original visual language for the call for participants as well as a powerful system for showcasing the results of the week online.
Tresor Records Artworks
Music
1/28
✕
Tresor Records Artworks↘
Tresor Records, 2016–2022
Music
1/28
Bespoke album designs for Berlin based Tresor Records’ releases. Challenging the conventional visual codes of techno music and reflecting the essence of Tresor’s sound, each design is carefully crafted, using innovative printing techniques and a keen attention to detail to bring a fresh approach to album design in the field.

Related projects
Tresor 30 Years Compilation (Music)
Tresor 31 (Various)
Tresor: True Stories (Various)
Tresor Records Artworks
Tresor Records
2016–2022
Music
Music
Bespoke album designs for Berlin based Tresor Records’ releases. Challenging the conventional visual codes of techno music and reflecting the essence of Tresor’s sound, each design is carefully crafted, using innovative printing techniques and a keen attention to detail to bring a fresh approach to album design in the field.
Swiss Literature Awards 2022
Various
1/16
✕
Swiss Literature Awards 2022↘
Photography: Julien Chavaillaz.
236 pages, 16.5×23.5 cm, ISBN 978-3-9525420-5-7
Swiss Federal Office of Culture, 2022
IdentityPosterPublication
1/16
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.

Related projects
Swiss Literature Awards 2023 (Publication)
Swiss Literature Awards 2021 (Publication)
Swiss Literature Awards 2020 (Various)
Swiss Literature Awards 2022
Photography: Julien Chavaillaz.
236 pages, 16.5×23.5 cm, ISBN 978-3-9525420-5-7
Swiss Federal Office of Culture
2022
IdentityPosterPublication
Various
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.
Exit 40th Anniversary Magazine
Publication
1/8
✕
Exit 40th Anniversary Magazine↘
40 pages, 21×30 cm
EXIT, 2022
Publication
1/8
Publication on the occasion of the 40th anniversary of EXIT A.D.M.D. (Association for the Right to Die with Dignity), whose aim has always been “to promote the right of the human being to freely dispose of his or her person, body and life”. Through various documents and testimonies, the publication looks back at the milestones in the history and struggle of the association.

Exit 40th Anniversary Magazine
40 pages, 21×30 cm
EXIT
2022
Publication
Publication
Publication on the occasion of the 40th anniversary of EXIT A.D.M.D. (Association for the Right to Die with Dignity), whose aim has always been “to promote the right of the human being to freely dispose of his or her person, body and life”. Through various documents and testimonies, the publication looks back at the milestones in the history and struggle of the association.
Tresor 30 Years Compilation
Music
1/9
✕
Tresor 30 Years Compilation↘
Tresor.330 boxset.
12×12” Vinyls, booklet, poster.
Tresor Records, 2022
Music
1/9
Tresor label has been a hub for innovative electronic music since 1991, thanks to the pioneering artists who connected Detroit and Berlin. The Tresor 30 compilation celebrates this legacy with a collection of tracks from both established and new artists. The box set features 52 artists, all represented by an own glyph and building together an alphabet of techno. These symbols merge together on the sleeves of each of the 12 records, showcasing a unique trajectory from the label’s past to its future, highlighting the continuing relevance of its ethos in building bridges and breaking walls.

Related projects
Tresor: True Stories (Various)
Tresor 31 (Various)
Tresor Records Artworks (Music)
Tresor Club Visual Identity 2015-2020 (Various)
Tresor 30 Years Compilation
Tresor.330 boxset.
12×12” Vinyls, booklet, poster.
Tresor Records
2022
Music
Music
Tresor label has been a hub for innovative electronic music since 1991, thanks to the pioneering artists who connected Detroit and Berlin. The Tresor 30 compilation celebrates this legacy with a collection of tracks from both established and new artists. The box set features 52 artists, all represented by an own glyph and building together an alphabet of techno. These symbols merge together on the sleeves of each of the 12 records, showcasing a unique trajectory from the label’s past to its future, highlighting the continuing relevance of its ethos in building bridges and breaking walls.
Le Style Sapin
Publication
1/11
✕
Le Style Sapin↘
Edited by Marie Gaitzsch, David Lemaire. Published by Scheidegger & Spiess.
218 pages, 23×28.5 cm, ISBN 978-2-88964-017-1
Musée des beaux-arts La Chaux-de-Fonds, 2022
Publication
1/11
The first in a series of major publications edited by the Musée des beaux-arts La Chaux-de-Fonds comprehensively explores the “fir style” or Style Sapin, a local variant of art nouveau that originated in the city in 1905. Designed in line with the institution’s visual identity, the layout offers a consistent system for both the various essays discussing the movement’s local and international context and the image plates shedding light on the work of its previously overlooked female artists.

Related projects
Une Collection – La Donation Olivier Mosset (Publication)
Natacha Donzé – Festins (Publication)
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses (Publication)
Luisanna Gonzalez Quattrini – Accroupissements (Publication)
Le Style Sapin
Edited by Marie Gaitzsch, David Lemaire. Published by Scheidegger & Spiess.
218 pages, 23×28.5 cm, ISBN 978-2-88964-017-1
Musée des beaux-arts La Chaux-de-Fonds
2022
Publication
Publication
The first in a series of major publications edited by the Musée des beaux-arts La Chaux-de-Fonds comprehensively explores the “fir style” or Style Sapin, a local variant of art nouveau that originated in the city in 1905. Designed in line with the institution’s visual identity, the layout offers a consistent system for both the various essays discussing the movement’s local and international context and the image plates shedding light on the work of its previously overlooked female artists.
Henry Brandt – Publication
Publication
1/14
✕
Henry Brandt – Publication↘
Edited by Pierre-Emmanuel Jaques and Olivier Lugon. Published by Scheidegger & Spiess. 352 pages, 19.5×26 cm, ISBN 978-3-03942-049-0
Musée d’art et d’histoire Neuchâtel, 2021
Publication
1/14
Henry Brandt (1921–1998) was a legendary figure in post-war Swiss cinema, a photographer and a pioneer of the “new Swiss cinema”. Alongside a retrospective exhibition, this first monograph covers his entire oeuvre, including various photo essays interspersed with essays by specialists in film, photography and ethnography as well as a comprehensive index of his documentaries, and television productions.

Related projects
Henry Brandt – Exhibition (Exhibition)
Henry Brandt – Communication (Various)
Henry Brandt – Publication
Edited by Pierre-Emmanuel Jaques and Olivier Lugon. Published by Scheidegger & Spiess. 352 pages, 19.5×26 cm, ISBN 978-3-03942-049-0
Musée d’art et d’histoire Neuchâtel
2021
Publication
Publication
Henry Brandt (1921–1998) was a legendary figure in post-war Swiss cinema, a photographer and a pioneer of the “new Swiss cinema”. Alongside a retrospective exhibition, this first monograph covers his entire oeuvre, including various photo essays interspersed with essays by specialists in film, photography and ethnography as well as a comprehensive index of his documentaries, and television productions.
Henry Brandt – Exhibition
Exhibition
1/11
✕
Henry Brandt – Exhibition↘
Curated by Emmanuel Jaques and Olivier Lugon. See online exhibition here.
Images © Maciej Czepiel
Musée d’art et d’histoire Neuchâtel, 2021
Exhibition
1/11
Henry Brandt (1921–1998) was a photographer and film director. This first major exhibition presented the work of this figure in Swiss cinema, author of many documentaries on Africa and Switzerland, and also highlighted Brandt’s photographic production, which is still largely unknown. The exhibition design presented a unique challenge in presenting films, photographs, and documents together, in particular the small-scale re-creation of Brandt’s famous installation from the 1964 World’s Fair, which originally featured 5 films in separate pavilions.

Related projects
Henry Brandt – Publication (Publication)
Henry Brandt – Communication (Various)
Transitions – Exhibition (Exhibition)
Henry Brandt – Exhibition
Curated by Emmanuel Jaques and Olivier Lugon. See online exhibition here.
Images © Maciej Czepiel
Musée d’art et d’histoire Neuchâtel
2021
Exhibition
Exhibition
Henry Brandt (1921–1998) was a photographer and film director. This first major exhibition presented the work of this figure in Swiss cinema, author of many documentaries on Africa and Switzerland, and also highlighted Brandt’s photographic production, which is still largely unknown. The exhibition design presented a unique challenge in presenting films, photographs, and documents together, in particular the small-scale re-creation of Brandt’s famous installation from the 1964 World’s Fair, which originally featured 5 films in separate pavilions.
Henry Brandt – Communication
Various
1/12
✕
Henry Brandt – Communication↘
henrybrandt.ch
Typeface based on MH Archetype Standard by Matthieu Huegi
Musée d’art et d’histoire Neuchâtel, 2021
DigitalIdentityPoster
1/12
The visual identity of the exhibition and the publication dedicated to Henry Brandt is primarily based on a typeface developed specifically for the project. Inspired by the slightly blurry and rounded lettering on screen in the filmmaker’s films, this font works alongside a black and white visual language, combining lines and curves to frame content and develop exhibition furniture. The visual system also refers to film and allows the creation of poster series incorporating multiple images.

Related projects
Henry Brandt – Exhibition (Exhibition)
Henry Brandt – Publication (Publication)
Henry Brandt – Communication
henrybrandt.ch
Typeface based on MH Archetype Standard by Matthieu Huegi
Musée d’art et d’histoire Neuchâtel
2021
DigitalIdentityPoster
Various
The visual identity of the exhibition and the publication dedicated to Henry Brandt is primarily based on a typeface developed specifically for the project. Inspired by the slightly blurry and rounded lettering on screen in the filmmaker’s films, this font works alongside a black and white visual language, combining lines and curves to frame content and develop exhibition furniture. The visual system also refers to film and allows the creation of poster series incorporating multiple images.
Swiss Literature Awards 2021
Publication
1/12
✕
Swiss Literature Awards 2021↘
Photography: Julien Chavaillaz.
226 pages, 16.5×23.5 cm, ISBN 978-3-9525152-8-0
Swiss Federal Office of Culture, 2021
Publication
1/12
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.

Related projects
Swiss Literature Awards 2023 (Publication)
Swiss Literature Awards 2022 (Various)
Swiss Literature Awards 2020 (Various)
Swiss Literature Awards 2021
Photography: Julien Chavaillaz.
226 pages, 16.5×23.5 cm, ISBN 978-3-9525152-8-0
Swiss Federal Office of Culture
2021
Publication
Publication
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.
Play Among Books
Publication
1/9
✕
Play Among Books↘
Written by Miro Roman. Published by Birkhäuser. 528 pages, 15.5×23.5 cm, ISBN 9783035624014
ETH Zurich, 2021
Publication
1/9
How does coding change the way we think about architecture? Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information, focusing on the intersection of information technology and architectural formulation. This book is part of the Applied Virtuality Book Series that we have been designing for several years, and marks the launch of a new layout format.

Related projects
Atlas of Digital Architecture (Various)
Tentacular Writing (Various)
Play Among Books
Written by Miro Roman. Published by Birkhäuser. 528 pages, 15.5×23.5 cm, ISBN 9783035624014
ETH Zurich
2021
Publication
Publication
How does coding change the way we think about architecture? Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information, focusing on the intersection of information technology and architectural formulation. This book is part of the Applied Virtuality Book Series that we have been designing for several years, and marks the launch of a new layout format.
Centre Dürrenmatt Neuchâtel
Poster
1/15
✕
Centre Dürrenmatt Neuchâtel↘
Centre Dürrenmatt Neuchâtel, 2016–2021
Poster
1/15
The Centre Dürrenmatt Neuchâtel (CDN) showcases the paintings of Friedrich Dürrenmatt (1921–1990), the world-renowned writer and playwright, as they relate to his literary works in a permanent exhibition. Designed by Mario Botta around Dürrenmatt’s former home, the museum also stages temporary exhibitions and events. Over the years, we have designed numerous posters promoting the museum’s temporary exhibitions based on a simple and playful visual system that emphasises the institution’s bilingualism and the content showcased.

Related projects
Centre Dürrenmatt Neuchâtel (Identity)
Les Fous de Dieu (Exhibition)
Centre Dürrenmatt Neuchâtel
Centre Dürrenmatt Neuchâtel
2016–2021
Poster
Poster
The Centre Dürrenmatt Neuchâtel (CDN) showcases the paintings of Friedrich Dürrenmatt (1921–1990), the world-renowned writer and playwright, as they relate to his literary works in a permanent exhibition. Designed by Mario Botta around Dürrenmatt’s former home, the museum also stages temporary exhibitions and events. Over the years, we have designed numerous posters promoting the museum’s temporary exhibitions based on a simple and playful visual system that emphasises the institution’s bilingualism and the content showcased.
Sur Papier. Su Carta
Various
1/13
✕
Sur Papier. Su Carta↘
Edited by Antonia Nessi. 144 pages, 24.5×32.5 cm, ISBN 978-3-03942-040-7
Musée d’art et d’histoire Neuchâtel, 2021
PosterPublication
1/13
Featuring works by Sivan Eldar, Mingjun Luo, Francine Mury, and Jiang Zuqing, the exhibition “Sur Papier. Su Carta” and the eponymous catalogue explore the cultural intersections between East and West through the use of paper as a common thread. Combining modernist codes with Asian tradition in its typography and layout, the book design plays on the shades of paper to replicate the works of art as vividly as possible on bulky translucent paper.

Related projects
Transitions – Publication (Publication)
Henry Brandt – Publication (Publication)
Léopold & Aurèle Robert – Publication (Publication)
Sur Papier. Su Carta
Edited by Antonia Nessi. 144 pages, 24.5×32.5 cm, ISBN 978-3-03942-040-7
Musée d’art et d’histoire Neuchâtel
2021
PosterPublication
Various
Featuring works by Sivan Eldar, Mingjun Luo, Francine Mury, and Jiang Zuqing, the exhibition “Sur Papier. Su Carta” and the eponymous catalogue explore the cultural intersections between East and West through the use of paper as a common thread. Combining modernist codes with Asian tradition in its typography and layout, the book design plays on the shades of paper to replicate the works of art as vividly as possible on bulky translucent paper.
Natacha Donzé – Festins
Publication
1/10
✕
Natacha Donzé – Festins↘
Edited by David Lemaire. Published by Éditions art&fiction.
96 pages, 17×23 cm, ISBN 978-2-88964-017-1
Musée des beaux-arts La Chaux-de-fonds, 2021
Publication
1/10
Published as part of the collection “Livres de -Fonds” by Musée des beaux-arts La Chaux-de-Fonds on the occasion of Natacha Donzé’s eponymous exhibition, the book presents her pictorial artistic practice. In line with the museum’s visual identity the book series is dedicated to emerging artists’ first publications and present their work in a small softcover format.

Related projects
Luisanna Gonzalez Quattrini – Accroupissements (Publication)
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses (Publication)
Musée des beaux-arts La Chaux-de-Fonds (Various)
Natacha Donzé – Festins
Edited by David Lemaire. Published by Éditions art&fiction.
96 pages, 17×23 cm, ISBN 978-2-88964-017-1
Musée des beaux-arts La Chaux-de-fonds
2021
Publication
Publication
Published as part of the collection “Livres de -Fonds” by Musée des beaux-arts La Chaux-de-Fonds on the occasion of Natacha Donzé’s eponymous exhibition, the book presents her pictorial artistic practice. In line with the museum’s visual identity the book series is dedicated to emerging artists’ first publications and present their work in a small softcover format.
Galerie C
Identity
1/8
✕
Galerie C↘
galeriec.ch
Galerie C, 2020
Identity
1/8
Galerie C is an independent contemporary art space in Neuchâtel founded in 2011 by Christian Egger. Following the opening of a second exhibition space in the heart of the Marais district in Paris, the corporate identity was revamped with a typographic facelift and an adaptation of the logo we designed back in 2010. The aim was to provide better visibility for the artists presented and better complementarity between digital and printed communication.

Related projects
Alain Huck & Françoise Pétrovitch – Nous sommes tous des loups dans la forêt profonde de l’éternité (Publication)
Artefacts (Publication)
Zones Poreuses (Publication)
Galerie C Posters (Poster)
Galerie C
galeriec.ch
Galerie C
2020
Identity
Identity
Galerie C is an independent contemporary art space in Neuchâtel founded in 2011 by Christian Egger. Following the opening of a second exhibition space in the heart of the Marais district in Paris, the corporate identity was revamped with a typographic facelift and an adaptation of the logo we designed back in 2010. The aim was to provide better visibility for the artists presented and better complementarity between digital and printed communication.
Atlas of Digital Architecture
Various
1/16
✕
Atlas of Digital Architecture↘
atlasofdigitalarchitecture.com
Edited by Ludger Hovestadt, Urs Hirschberg, Oliver Fritz, Sebastian Michael. Published by Birkhäuser. 760 pages, 21×30 cm, ISBN 978-3-0356-1989-8
ETH Zurich, 2020
DigitalPublication
1/16
In this compendious work, two dozen university professors share their expertise about digital technology and architecture. The Atlas offers an orientation to the ways in which computers are used in architecture. We were involved in the project from the outset, defining its structure and navigation, designing the book and typesetting the myriad of texts and codes fragments as well as the diagrams. A web platform providing online resources completes the publication.

Related projects
Play Among Books (Publication)
Tentacular Writing (Various)
Atlas of Digital Architecture
atlasofdigitalarchitecture.com
Edited by Ludger Hovestadt, Urs Hirschberg, Oliver Fritz, Sebastian Michael. Published by Birkhäuser. 760 pages, 21×30 cm, ISBN 978-3-0356-1989-8
ETH Zurich
2020
DigitalPublication
Various
In this compendious work, two dozen university professors share their expertise about digital technology and architecture. The Atlas offers an orientation to the ways in which computers are used in architecture. We were involved in the project from the outset, defining its structure and navigation, designing the book and typesetting the myriad of texts and codes fragments as well as the diagrams. A web platform providing online resources completes the publication.
Fred Boissonnas et la Méditerranée
Exhibition
1/12
✕
Fred Boissonnas et la Méditerranée↘
Curated by Estelle Sohier, Lada Umstätter, Mayte Garcia, Nicolas Schätti. Musée Rath, Genève.
Musées d’art et d’histoire de Genève, 2020
Exhibition
1/12
The exhibition dedicated to the work of the photographer Fred Boissonnas (1858–1946) focuses on a little-known yet crucial part of his career: his travels in the Mediterranean, which he crossed in the first three decades of the 20th century in search of light, Homeric sites and biblical landscapes. In an immersive approach despite the small formats exhibited, giant wallpapers images punctuate the exhibition that takes up Mediterranean codes through its architecture, furniture, colors, and materials, including a sand-like carpet covering its entire floor.

Related projects
Henry Brandt – Exhibition (Exhibition)
L’Utopie au Quotidien – Exhibition (Exhibition)
Transitions – Exhibition (Exhibition)
Les Fous de Dieu (Exhibition)
Fred Boissonnas et la Méditerranée
Curated by Estelle Sohier, Lada Umstätter, Mayte Garcia, Nicolas Schätti. Musée Rath, Genève.
Musées d’art et d’histoire de Genève
2020
Exhibition
Exhibition
The exhibition dedicated to the work of the photographer Fred Boissonnas (1858–1946) focuses on a little-known yet crucial part of his career: his travels in the Mediterranean, which he crossed in the first three decades of the 20th century in search of light, Homeric sites and biblical landscapes. In an immersive approach despite the small formats exhibited, giant wallpapers images punctuate the exhibition that takes up Mediterranean codes through its architecture, furniture, colors, and materials, including a sand-like carpet covering its entire floor.
Swiss Literature Awards 2020
Various
1/14
✕
Swiss Literature Awards 2020↘
Photography: Younès Clouche.
222 pages, 16.5×23.5 cm, ISBN 978-3-9525152-2-8
Swiss Federal Office of Culture, 2020
IdentityPublication
1/14
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.

Related projects
Swiss Literature Awards 2023 (Publication)
Swiss Literature Awards 2022 (Various)
Swiss Literature Awards 2021 (Publication)
Swiss Literature Awards 2020
Photography: Younès Clouche.
222 pages, 16.5×23.5 cm, ISBN 978-3-9525152-2-8
Swiss Federal Office of Culture
2020
IdentityPublication
Various
Drawing inspiration from concrete poetry, the graphic system combines typography with vibrant colors to challenge and infuse energy into a domain that is often communicated in a reserved manner. Carefully art directed photography is also a critical component of the design, presenting the faces of today’s Swiss literature. These elements blend to create a bold and minimalistic communication that celebrates the power of the written word.
Une Collection – La Donation Olivier Mosset
Publication
1/13
✕
Une Collection – La Donation Olivier Mosset↘
Edited by Gabriel Umstätter. Published by Silvana Editoriale. 208 pages, 22,5×28 cm, ISBN 978-8-83664-072-0
Musée des beaux-arts La Chaux-de-fonds, 2020
Publication
1/13
In 2007, Olivier Mosset donated the bulk of his collection to the Musée des beaux-arts La Chaux-de-Fonds, an ensemble that reflects the artistic scenes he has crossed during his career. Following a series of essays and interviews, thematic booklets present a selection of works printed on high gloss paper interspeced with texts. A comprehensive catalogue of nearly 300 artworks completes the book.

Related projects
Le Style Sapin (Publication)
Natacha Donzé – Festins (Publication)
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses (Publication)
Luisanna Gonzalez Quattrini – Accroupissements (Publication)
Une Collection – La Donation Olivier Mosset
Edited by Gabriel Umstätter. Published by Silvana Editoriale. 208 pages, 22,5×28 cm, ISBN 978-8-83664-072-0
Musée des beaux-arts La Chaux-de-fonds
2020
Publication
Publication
In 2007, Olivier Mosset donated the bulk of his collection to the Musée des beaux-arts La Chaux-de-Fonds, an ensemble that reflects the artistic scenes he has crossed during his career. Following a series of essays and interviews, thematic booklets present a selection of works printed on high gloss paper interspeced with texts. A comprehensive catalogue of nearly 300 artworks completes the book.
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses
Publication
1/13
✕
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses↘
Edited by David Lemaire. Published by art&fiction.
164 pages, 17×23.5 cm, ISBN 978-2-940570-97-3
Musée des beaux-arts La Chaux-de-Fonds, 2020
Publication
1/13
Published as part of the collection “Livres de -Fonds” by Musée des beaux-arts La Chaux-de-Fonds on the occasion of Kiki Kogelnik (1935–1997) exhibition, the book presents her unrecognised practice. Considered as a pop art pioneer, her feminist perspective kept her on the margins of the male-dominated movement. In line with the museum’s visual identity the book series is dedicated to emerging artists’ first publications and present their work in a small softcover format. This book celebrates the recent rediscovery of Kiki Kogelnik’s work, which offers a playful yet weighty commentary on the ambivalence of progress.

Related projects
Natacha Donzé – Festins (Publication)
Luisanna Gonzalez Quattrini – Accroupissements (Publication)
Le Style Sapin (Publication)
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses
Edited by David Lemaire. Published by art&fiction.
164 pages, 17×23.5 cm, ISBN 978-2-940570-97-3
Musée des beaux-arts La Chaux-de-Fonds
2020
Publication
Publication
Published as part of the collection “Livres de -Fonds” by Musée des beaux-arts La Chaux-de-Fonds on the occasion of Kiki Kogelnik (1935–1997) exhibition, the book presents her unrecognised practice. Considered as a pop art pioneer, her feminist perspective kept her on the margins of the male-dominated movement. In line with the museum’s visual identity the book series is dedicated to emerging artists’ first publications and present their work in a small softcover format. This book celebrates the recent rediscovery of Kiki Kogelnik’s work, which offers a playful yet weighty commentary on the ambivalence of progress.
Berger van Berchem & Cie
Various
1/5
✕
Berger van Berchem & Cie↘
bergervanberchem.ch
Typeface based on MH Genesis by Matthieu Huegi
Berger van Berchem & Cie, 2020
DigitalIdentity
1/5
Corporate identity for Berger van Berchem & Cie, wealth managers wishing to refresh their image and harmonize their printed and digital appearance. The identity is built around a bespoke custom serif typeface, a word mark, a monogram and a new colors scheme.

Related projects
Galerie C (Identity)
Centre Dürrenmatt Neuchâtel (Identity)
Musée des beaux-arts La Chaux-de-Fonds (Various)
Berger van Berchem & Cie
bergervanberchem.ch
Typeface based on MH Genesis by Matthieu Huegi
Berger van Berchem & Cie
2020
DigitalIdentity
Various
Corporate identity for Berger van Berchem & Cie, wealth managers wishing to refresh their image and harmonize their printed and digital appearance. The identity is built around a bespoke custom serif typeface, a word mark, a monogram and a new colors scheme.
Olga Cafiero – Flora Neocomensis
Various
1/13
✕
Olga Cafiero – Flora Neocomensis↘
Shortlisted for the most beautiful German Books 2020 and awarded the Bronze category of the German Photobook Prize 20/21. Published by Scheidegger & Spiess. 164 pages, 23.5×32 cm, ISBN 978-3-85881-683-2
Enquête Photographique Neuchâteloise, 2020
PosterPublication
1/13
Published as part of the “Enquête photographique neuchâteloise”, this book presents the work of photographer Olga Cafiero, who explored the region and captured different categories of plants: invasive, protected, common, and absent. An index of 130 flowers that Olga Cafiero discovered during her walks documents her work similarly to a herbarium. The publication presents these series separately, each printed with a specific combination of neon and metallic inks.

Related projects
Serge Fruehauf – Batirama (Publication)
Yann Mingard – Ligne de fond (Publication)
Olga Cafiero – Flora Neocomensis
Shortlisted for the most beautiful German Books 2020 and awarded the Bronze category of the German Photobook Prize 20/21. Published by Scheidegger & Spiess. 164 pages, 23.5×32 cm, ISBN 978-3-85881-683-2
Enquête Photographique Neuchâteloise
2020
PosterPublication
Various
Published as part of the “Enquête photographique neuchâteloise”, this book presents the work of photographer Olga Cafiero, who explored the region and captured different categories of plants: invasive, protected, common, and absent. An index of 130 flowers that Olga Cafiero discovered during her walks documents her work similarly to a herbarium. The publication presents these series separately, each printed with a specific combination of neon and metallic inks.
Micron Audio Artworks
Music
1/2
✕
Micron Audio Artworks↘
Micron Audio, 2020
Music
1/2
Micron Audio is a hub for a modern and futuristic electro sound, led by DJ Stingray 313. The imprint beckons with intense electronic sounds, rough textures and geometries that speak to a guiding principle of making technological advancement accessible to the people. The visual system follows this path, building on organic patterns that are overprinted from one release to the next.

Related projects
Tresor Records Artworks (Music)
Micron Audio Artworks
Micron Audio
2020
Music
Music
Micron Audio is a hub for a modern and futuristic electro sound, led by DJ Stingray 313. The imprint beckons with intense electronic sounds, rough textures and geometries that speak to a guiding principle of making technological advancement accessible to the people. The visual system follows this path, building on organic patterns that are overprinted from one release to the next.
Tresor Club Visual Identity 2015-2020
Various
1/16
✕
Tresor Club Visual Identity 2015-2020↘
Tresor Berlin, 2015–2020
IdentityMusicPoster
1/16
Originally designed by Vanja Golubovic in 2015, Tresor’s visual identity challenged the perspective of the mythical Berlin club and the visual stereotypes of techno. We have developed it together since 2016 and have been in charge of all of the club’s on- and offline communications, including hundreds of flyers and posters designed on a grid system inspired by the legendary cage used as a DJ booth. This versatile framework has enabled the incorporation of various visual elements such as photography, patterns and typography, allowing the communication to evolve and adapt over the years while maintaining consistency.

Related projects
Tresor 31 (Various)
Tresor: True Stories (Various)
Tresor 30 Years Compilation (Music)
Tresor Records Artworks (Music)
Tresor Club Visual Identity 2015-2020
Tresor Berlin
2015–2020
IdentityMusicPoster
Various
Originally designed by Vanja Golubovic in 2015, Tresor’s visual identity challenged the perspective of the mythical Berlin club and the visual stereotypes of techno. We have developed it together since 2016 and have been in charge of all of the club’s on- and offline communications, including hundreds of flyers and posters designed on a grid system inspired by the legendary cage used as a DJ booth. This versatile framework has enabled the incorporation of various visual elements such as photography, patterns and typography, allowing the communication to evolve and adapt over the years while maintaining consistency.
Masques et Théâtre
Publication
1/10
✕
Masques et Théâtre↘
Edited by Jacques Berchtold, Anne-Catherine Sutermeister. Published by Les Éditions Noir sur Blanc. 254 pages, 17×24 cm, ISBN 978-2-88250-661-0
Fondation Martin Bodmer, Genève, 2020
Publication
1/10
This book offers a dialogue between the masks of creator Werner Strub and the theatrical treasures held by the Martin Bodmer Foundation. The exhibition presented rare first editions of Greek tragedies, original works by Shakespeare, Corneille, and Molière, illustrated art books, and autographed manuscripts, alongside Strub’s creations that use masks as tools of research to explore the human experience.

Masques et Théâtre
Edited by Jacques Berchtold, Anne-Catherine Sutermeister. Published by Les Éditions Noir sur Blanc. 254 pages, 17×24 cm, ISBN 978-2-88250-661-0
Fondation Martin Bodmer, Genève
2020
Publication
Publication
This book offers a dialogue between the masks of creator Werner Strub and the theatrical treasures held by the Martin Bodmer Foundation. The exhibition presented rare first editions of Greek tragedies, original works by Shakespeare, Corneille, and Molière, illustrated art books, and autographed manuscripts, alongside Strub’s creations that use masks as tools of research to explore the human experience.
ABCH Bologna Swiss Books
Various
1/13
✕
ABCH Bologna Swiss Books↘
Curated by Francine Bouchet and Hans ten Doornkaat. Illustrations by Alice Kolb.
Schweizer Buchhandels- und Verlags-Verband SBVV, 2019
ExhibitionIdentityPublication
1/13
As guest of the Bologna Children’s Book Fair, Switzerland showcased 26 of its illustrators, each paired with a letter of the alphabet and a word related to Swiss peculiarities: ABCH. Composed of modular illustrations and a schoolbook-style typeface, the visual identity allows for flexible use across various media. The two booklets of the catalogue compile the alphabet and the work of each illustrator. The exhibition consists of a forest of panels presenting the illustrators and bespoke furnitures inspired by traditional Swiss picnic tables, which allows visitors to browse the books.

ABCH Bologna Swiss Books
Curated by Francine Bouchet and Hans ten Doornkaat. Illustrations by Alice Kolb.
Schweizer Buchhandels- und Verlags-Verband SBVV
2019
ExhibitionIdentityPublication
Various
As guest of the Bologna Children’s Book Fair, Switzerland showcased 26 of its illustrators, each paired with a letter of the alphabet and a word related to Swiss peculiarities: ABCH. Composed of modular illustrations and a schoolbook-style typeface, the visual identity allows for flexible use across various media. The two booklets of the catalogue compile the alphabet and the work of each illustrator. The exhibition consists of a forest of panels presenting the illustrators and bespoke furnitures inspired by traditional Swiss picnic tables, which allows visitors to browse the books.
Musée des beaux-arts La Chaux-de-Fonds
Various
1/10
✕
Musée des beaux-arts La Chaux-de-Fonds↘
mbac.ch
Custom fonts based on MH Archetype Letra by Matthieu Huegi
Musée des beaux-arts La Chaux-de-Fonds, 2018
DigitalIdentity
1/10
The Musée des beaux-arts La Chaux-de-Fonds was founded over 150 years ago. The collections evolved from a Swiss and international scope to a focus on regional artists with contemporary art exhibitions. After several years of collaboration and following the appointment of its new director, we redesigned the museum’s identity. This new visual system based on custom fonts allowed us to follow a whole new approach for posters and communication ephemera both off and online with a new comprehensive website.

Related projects
Musée des beaux-arts La Chaux-de-Fonds (Poster)
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses (Publication)
Luisanna Gonzalez Quattrini – Accroupissements (Publication)
Natacha Donzé – Festins (Publication)
Musée des beaux-arts La Chaux-de-Fonds
mbac.ch
Custom fonts based on MH Archetype Letra by Matthieu Huegi
Musée des beaux-arts La Chaux-de-Fonds
2018
DigitalIdentity
Various
The Musée des beaux-arts La Chaux-de-Fonds was founded over 150 years ago. The collections evolved from a Swiss and international scope to a focus on regional artists with contemporary art exhibitions. After several years of collaboration and following the appointment of its new director, we redesigned the museum’s identity. This new visual system based on custom fonts allowed us to follow a whole new approach for posters and communication ephemera both off and online with a new comprehensive website.
Silences
Publication
1/10
✕
Silences↘
Edited by Lada Umstätter. Published by Éditions Favre.
208 pages, 21×28 cm, ISBN 978-2-8289-1792-0
Musée d’art et d’histoire Genève, 2019
Publication
1/10
Mixing genres, patterns, and epochs, this book offers the experience of different forms of silence, not only as the absence of speech noise but also as a state, a presence in the world, of which certain works of art offer us a condensed form. The book accompanying the exhibition of the same name brings together the works of well-known and more confidential artists of yesterday and today through 10 thematic chapters punctuated by two essays.

Related projects
Fred Boissonnas et la Méditerranée (Exhibition)
Silences
Edited by Lada Umstätter. Published by Éditions Favre.
208 pages, 21×28 cm, ISBN 978-2-8289-1792-0
Musée d’art et d’histoire Genève
2019
Publication
Publication
Mixing genres, patterns, and epochs, this book offers the experience of different forms of silence, not only as the absence of speech noise but also as a state, a presence in the world, of which certain works of art offer us a condensed form. The book accompanying the exhibition of the same name brings together the works of well-known and more confidential artists of yesterday and today through 10 thematic chapters punctuated by two essays.
Les Frères Henkin
Publication
1/8
✕
Les Frères Henkin↘
Edited by Daniel Girardin. Published by Les Éditions Noir sur Blanc. 288 pages, 21×28 cm, ISBN 978-2-88250-588-0
Les Éditions Noir sur Blanc, 2019
Publication
1/8
Brothers Yakov and Evgeny Henkin were born around 1900 in Russia, to a wealthy Jewish family. They both shared a passion for photography, which they pursued separately throughout the 1930s – one in Leningrad, the other in Berlin. The two brothers wandered their lenses through parks and boulevards and documented demonstrations, sports competitions or popular festivals. Presenting the work of each brother separately through similar topics, the book design and its layout draws inspiration from the constructivist style and publications of the time.

Related projects
Henry Brandt – Publication (Publication)
Masques et Théâtre (Publication)
Transitions – Publication (Publication)
Les Frères Henkin
Edited by Daniel Girardin. Published by Les Éditions Noir sur Blanc. 288 pages, 21×28 cm, ISBN 978-2-88250-588-0
Les Éditions Noir sur Blanc
2019
Publication
Publication
Brothers Yakov and Evgeny Henkin were born around 1900 in Russia, to a wealthy Jewish family. They both shared a passion for photography, which they pursued separately throughout the 1930s – one in Leningrad, the other in Berlin. The two brothers wandered their lenses through parks and boulevards and documented demonstrations, sports competitions or popular festivals. Presenting the work of each brother separately through similar topics, the book design and its layout draws inspiration from the constructivist style and publications of the time.
Marginalia
Identity
1/5
✕
Marginalia↘
marginalia.ch
Marginalia, 2018
Identity
1/5
Corporate identity for architecture studio Marginalia, whose construction and renovation practice focuses on the deconstruction of existing architecture and the reuse of its elements. The identity’s overall structure reflects the concept of marginalia, with information always placed at the edge of content.

Related projects
Atlas of Digital Architecture (Various)
Small Interventions (Publication)
Tentacular Writing (Various)
Play Among Books (Publication)
Marginalia
marginalia.ch
Marginalia
2018
Identity
Identity
Corporate identity for architecture studio Marginalia, whose construction and renovation practice focuses on the deconstruction of existing architecture and the reuse of its elements. The identity’s overall structure reflects the concept of marginalia, with information always placed at the edge of content.
Luisanna Gonzalez Quattrini – Accroupissements
Publication
1/8
✕
Luisanna Gonzalez Quattrini – Accroupissements↘
Edited by David Lemaire. Published by art&fiction.
112 pages, 17×23.5 cm, ISBN 978-2-940570-58-4
Musée des beaux-arts La Chaux-de-Fonds, 2018
Publication
1/8
First book of the “Livres de -Fonds” collection initiated by the Musée des beaux-arts La Chaux-de-Fonds. In line with the museum’s visual identity the book series is dedicated to emerging artists’ first publications and present their work in a small softcover format. This publication is dedicated to the work of Luisanna Gonzalez Quattrini. In her paintings, innocence vies with regression, reasons seem to be governed by bodies, and instincts dominate urbanity; in her subjects as well as in the material itself, fluids control masses.

Related projects
Kiki Kogelnik – Les cyborgs ne sont pas respectueuses (Publication)
Natacha Donzé – Festins (Publication)
Le Style Sapin (Publication)
Luisanna Gonzalez Quattrini – Accroupissements
Edited by David Lemaire. Published by art&fiction.
112 pages, 17×23.5 cm, ISBN 978-2-940570-58-4
Musée des beaux-arts La Chaux-de-Fonds
2018
Publication
Publication
First book of the “Livres de -Fonds” collection initiated by the Musée des beaux-arts La Chaux-de-Fonds. In line with the museum’s visual identity the book series is dedicated to emerging artists’ first publications and present their work in a small softcover format. This publication is dedicated to the work of Luisanna Gonzalez Quattrini. In her paintings, innocence vies with regression, reasons seem to be governed by bodies, and instincts dominate urbanity; in her subjects as well as in the material itself, fluids control masses.
Transitions – Exhibition
Exhibition
1/9
✕
Transitions – Exhibition↘
Curated by Jean-Christophe Blaser and Chantal Lafontant Vallotton.
Musée d’art et d’histoire Neuchâtel, 2017
Exhibition
1/9
This exhibition presents 130 years of photography (1840–1970) in the canton of Neuchâtel, focusing on its protagonists and its relationship with traditional visual arts, particularly its gradual penetration into the industrial and advertising fields. The visual approach was developed in resonance with the original photographic technique, particularly the silver and copper salts used in its early days.

Related projects
Transitions – Publication (Publication)
Transitions – Communication (Various)
Transitions – Exhibition
Curated by Jean-Christophe Blaser and Chantal Lafontant Vallotton.
Musée d’art et d’histoire Neuchâtel
2017
Exhibition
Exhibition
This exhibition presents 130 years of photography (1840–1970) in the canton of Neuchâtel, focusing on its protagonists and its relationship with traditional visual arts, particularly its gradual penetration into the industrial and advertising fields. The visual approach was developed in resonance with the original photographic technique, particularly the silver and copper salts used in its early days.
Transitions – Publication
Publication
1/15
✕
Transitions – Publication↘
Edited by Jean-Christophe Blaser and Chantal Lafontant Vallotton. Published by Éditions Alphil.
272 pages, 23×29 cm, ISBN 978-2-88930-148-5
Musée d’art et d’histoire Neuchâtel, 2017
Publication
1/15
Based on the analysis of half a million photographs, the book explores 130 years of photography in the canton of Neuchâtel through a carefully selected collection of images showcasing the diverse directions photography has taken since its inception. This deep dive into Neuchâtel’s iconographic heritage offers an intimate portrait of the region’s prominent photographers, accompanied by insightful contributions on exhibition and methodology. A comprehensive index of nearly 400 photographers from the region further enhances the book’s value.

Related projects
Transitions – Communication (Various)
Transitions – Exhibition (Exhibition)
Transitions – Publication
Edited by Jean-Christophe Blaser and Chantal Lafontant Vallotton. Published by Éditions Alphil.
272 pages, 23×29 cm, ISBN 978-2-88930-148-5
Musée d’art et d’histoire Neuchâtel
2017
Publication
Publication
Based on the analysis of half a million photographs, the book explores 130 years of photography in the canton of Neuchâtel through a carefully selected collection of images showcasing the diverse directions photography has taken since its inception. This deep dive into Neuchâtel’s iconographic heritage offers an intimate portrait of the region’s prominent photographers, accompanied by insightful contributions on exhibition and methodology. A comprehensive index of nearly 400 photographers from the region further enhances the book’s value.
Transitions – Communication
Various
1/4
✕
Transitions – Communication↘
Musée d’art et d’histoire Neuchâtel, 2017
IdentityPoster
1/4
Poster, communication, and graphic system used for the exhibition and publication “Transitions. Photography in the Canton of Neuchâtel 1840–1970”. The visual approach was developed in resonance with the original photographic technique, particularly the silver and copper salts used in its early days.

Related projects
Transitions – Publication (Publication)
Transitions – Exhibition (Exhibition)
Transitions – Communication
Musée d’art et d’histoire Neuchâtel
2017
IdentityPoster
Various
Poster, communication, and graphic system used for the exhibition and publication “Transitions. Photography in the Canton of Neuchâtel 1840–1970”. The visual approach was developed in resonance with the original photographic technique, particularly the silver and copper salts used in its early days.
Alain Huck & Françoise Pétrovitch – Nous sommes tous des loups dans la forêt profonde de l’éternité
Publication
1/5
✕
Alain Huck & Françoise Pétrovitch – Nous sommes tous des loups dans la forêt profonde de l’éternité↘
Edited by Galerie C. Self-published. 56 pages, 21×30 cm, ISBN 978-2-8399-2364-4
Galerie C, 2017
Publication
1/5
This catalogue of the eponymous exhibition “Nous sommes tous des loups dans la forêt profonde de l’éternité” organized at Galerie C brings together the works of artists Alain Huck and Françoise Pétrovitch through the writing of Russian poet Marina Tsvetaeva, with contributions from Julie Enckell Julliard, Nancy Hudson, and Morgane Paillard.

Related projects
Artefacts (Publication)
Zones Poreuses (Publication)
Galerie C (Identity)
Alain Huck & Françoise Pétrovitch – Nous sommes tous des loups dans la forêt profonde de l’éternité
Edited by Galerie C. Self-published. 56 pages, 21×30 cm, ISBN 978-2-8399-2364-4
Galerie C
2017
Publication
Publication
This catalogue of the eponymous exhibition “Nous sommes tous des loups dans la forêt profonde de l’éternité” organized at Galerie C brings together the works of artists Alain Huck and Françoise Pétrovitch through the writing of Russian poet Marina Tsvetaeva, with contributions from Julie Enckell Julliard, Nancy Hudson, and Morgane Paillard.
Les Fous de Dieu
Exhibition
1/9
✕
Les Fous de Dieu↘
Curated by Duc-Hanh Luong.
Centre Dürrenmatt Neuchâtel, 2017
Exhibition
1/9
Between 1534 and 1535, extremist Anabaptists sought to establish the kingdom of God on earth. This story has inspired many writers, including Friedrich Dürrenmatt, who made it the subject of his first play, “Es ist geschrieben”, in 1947. The play was staged in Paris in 1952 as “Les Fous de Dieu”, causing a polemic but also launching his career as a playwright. The design of the exhibition draws on this scandal, using newspaper clippings and headlines, as well as various archive materials, to explore Dürrenmatt’s complex relationship with faith throughout his life.

Related projects
Centre Dürrenmatt Neuchâtel (Identity)
Centre Dürrenmatt Neuchâtel (Poster)
Les Fous de Dieu
Curated by Duc-Hanh Luong.
Centre Dürrenmatt Neuchâtel
2017
Exhibition
Exhibition
Between 1534 and 1535, extremist Anabaptists sought to establish the kingdom of God on earth. This story has inspired many writers, including Friedrich Dürrenmatt, who made it the subject of his first play, “Es ist geschrieben”, in 1947. The play was staged in Paris in 1952 as “Les Fous de Dieu”, causing a polemic but also launching his career as a playwright. The design of the exhibition draws on this scandal, using newspaper clippings and headlines, as well as various archive materials, to explore Dürrenmatt’s complex relationship with faith throughout his life.
Serge Fruehauf – Batirama
Publication
1/10
✕
Serge Fruehauf – Batirama↘
Published by Scheidegger & Spiess.
152 pages, 23.5×32 cm, ISBN 978-3-85881-583-5
Enquête Photographique Neuchâteloise, 2017
Publication
1/10
This book was published as part of the “Enquête photographique neuchâteloise”, project launched in 2013 with biennial commissions awarded to build a photographic “heritage of tomorrow” for the canton. Photographer Serge Fruehauf presents a current and subjective panorama of the canton’s architectural culture. Fruehauf’s images focus on significant details that are often perceived as banal, yet reveal the latent potential of architecture. The book lays out all photographs taken by Fruehauf in a chronologically and generated sequence where only format changes are used to draw attention to specific images.

Related projects
Olga Cafiero – Flora Neocomensis (Various)
Yann Mingard – Ligne de fond (Publication)
Serge Fruehauf – Batirama
Published by Scheidegger & Spiess.
152 pages, 23.5×32 cm, ISBN 978-3-85881-583-5
Enquête Photographique Neuchâteloise
2017
Publication
Publication
This book was published as part of the “Enquête photographique neuchâteloise”, project launched in 2013 with biennial commissions awarded to build a photographic “heritage of tomorrow” for the canton. Photographer Serge Fruehauf presents a current and subjective panorama of the canton’s architectural culture. Fruehauf’s images focus on significant details that are often perceived as banal, yet reveal the latent potential of architecture. The book lays out all photographs taken by Fruehauf in a chronologically and generated sequence where only format changes are used to draw attention to specific images.
L’Utopie au Quotidien – Communication
Various
1/6
✕
L’Utopie au Quotidien – Communication↘
Custom font based on MH Archetype Geo by Matthieu Huegi.
Musée des beaux-arts La Chaux-de-Fonds, 2016
IdentityPoster
1/6
The exhibition and its accompanying publication have a distinct visual identity that draws inspiration from the color scheme of monochromatic paintings used on the lower part of walls in Soviet buildings. This design principle is employed in the exhibition for wall panels and titles, as well as in the book for chapter pages and the cover. The color palette complements a custom typeface that was created specifically for the project. This modernist sans-serif typeface can display both Latin and Cyrillic scripts, making it suitable for use in various media throughout the project.

Related projects
L’Utopie au Quotidien – Communication (Various)
L’Utopie au Quotidien – Publication (Publication)
L’Utopie au Quotidien – Communication
Custom font based on MH Archetype Geo by Matthieu Huegi.
Musée des beaux-arts La Chaux-de-Fonds
2016
IdentityPoster
Various
The exhibition and its accompanying publication have a distinct visual identity that draws inspiration from the color scheme of monochromatic paintings used on the lower part of walls in Soviet buildings. This design principle is employed in the exhibition for wall panels and titles, as well as in the book for chapter pages and the cover. The color palette complements a custom typeface that was created specifically for the project. This modernist sans-serif typeface can display both Latin and Cyrillic scripts, making it suitable for use in various media throughout the project.
L’Utopie au Quotidien – Publication
Publication
1/14
✕
L’Utopie au Quotidien – Publication↘
Edited by Lada Umstätter and Geneviève Piron in collaboration with Rada Landar. Published by Les Éditions Noir sur Blanc. 560 pages, 22×28 cm, ISBN 978-2-88250-448-7
Musée des beaux-arts La Chaux-de-Fonds, 2016
Publication
1/14
Through more than 400 objects, 700 literary quotations, and 400 vintage photographs, this book offers a unique dive into a vanished world: the “Soviet civilization”. The most ordinary objects provide an opportunity to detail the lifestyles that marked all the countries of the former USSR between Stalin’s death (1953) and the beginning of perestroika (1985). In counterpoint to the main text, literary excerpts and vintage photographs help to give substance to the often paradoxical experience of Soviet daily life.

Related projects
L’Utopie au Quotidien – Exhibition (Exhibition)
L’Utopie au Quotidien – Communication (Various)
L’Utopie au Quotidien – Publication
Edited by Lada Umstätter and Geneviève Piron in collaboration with Rada Landar. Published by Les Éditions Noir sur Blanc. 560 pages, 22×28 cm, ISBN 978-2-88250-448-7
Musée des beaux-arts La Chaux-de-Fonds
2016
Publication
Publication
Through more than 400 objects, 700 literary quotations, and 400 vintage photographs, this book offers a unique dive into a vanished world: the “Soviet civilization”. The most ordinary objects provide an opportunity to detail the lifestyles that marked all the countries of the former USSR between Stalin’s death (1953) and the beginning of perestroika (1985). In counterpoint to the main text, literary excerpts and vintage photographs help to give substance to the often paradoxical experience of Soviet daily life.
L’Utopie au Quotidien – Exhibition
Exhibition
1/14
✕
L’Utopie au Quotidien – Exhibition↘
Curated by Lada Umstätter, Geneviève Piron, Rada Landar and Gabriel Umstätter.
Musée des beaux-arts La Chaux-de-Fonds, 2016
Exhibition
1/14
This exhibition offers a unique glimpse into the vanished “Soviet civilization”. By showcasing ordinary objects, the exhibition provides insight into the lifestyles that were present throughout the former USSR. These objects, designed according to a different set of specifications than their Western counterparts, offer an alternative path for 20th-century design. A bespoke furniture system was developed to display these heterogenous objects, as well as various documents and artworks, including posters, photographs, or film excerpts to coexist in thematic clusters.

Related projects
L’Utopie au Quotidien – Publication (Publication)
L’Utopie au Quotidien – Communication (Various)
L’Utopie au Quotidien – Exhibition
Curated by Lada Umstätter, Geneviève Piron, Rada Landar and Gabriel Umstätter.
Musée des beaux-arts La Chaux-de-Fonds
2016
Exhibition
Exhibition
This exhibition offers a unique glimpse into the vanished “Soviet civilization”. By showcasing ordinary objects, the exhibition provides insight into the lifestyles that were present throughout the former USSR. These objects, designed according to a different set of specifications than their Western counterparts, offer an alternative path for 20th-century design. A bespoke furniture system was developed to display these heterogenous objects, as well as various documents and artworks, including posters, photographs, or film excerpts to coexist in thematic clusters.
Centre Dürrenmatt Neuchâtel
Identity
1/13
✕
Centre Dürrenmatt Neuchâtel↘
Centre Dürrenmatt Neuchâtel, 2016
Identity
1/13
The Centre Dürrenmatt Neuchâtel (CDN) showcases the paintings of Friedrich Dürrenmatt (1921–1990), the world-renowned writer and playwright, as they relate to his literary works in a permanent exhibition. Designed by Mario Botta around Dürrenmatt’s former home, the museum also stages temporary exhibitions and events. We completely redesigned the museum’s identity in 2016, revamping the existing logo and developing a new visual system based on the “umlaut”, symbol of the bilingualism of the writer and the institution. The visual system is regularly expressed through posters and flyers, exhibition graphics and related publications, among other mediums.

Related projects
Centre Dürrenmatt Neuchâtel (Poster)
Les Fous de Dieu (Exhibition)
Centre Dürrenmatt Neuchâtel
Centre Dürrenmatt Neuchâtel
2016
Identity
Identity
The Centre Dürrenmatt Neuchâtel (CDN) showcases the paintings of Friedrich Dürrenmatt (1921–1990), the world-renowned writer and playwright, as they relate to his literary works in a permanent exhibition. Designed by Mario Botta around Dürrenmatt’s former home, the museum also stages temporary exhibitions and events. We completely redesigned the museum’s identity in 2016, revamping the existing logo and developing a new visual system based on the “umlaut”, symbol of the bilingualism of the writer and the institution. The visual system is regularly expressed through posters and flyers, exhibition graphics and related publications, among other mediums.
Small Interventions
Publication
1/13
✕
Small Interventions↘
Edited by Walter Nägeli and Niloufar Kirn Tajeri. Published by Birkhäuser. 144 pages, 18.5×26 cm, ISBN 978-3-0356-0718-5.
KIT – Karlsruher Institut für Technologie, 2016
Publication
1/13
This publication examines the possibilities of updating the spatial structure of post-war modernist flat floor plans created during the building boom between 1960 and 1970. The authors analyse existing floor plan typologies in the context of the social changes that have significantly altered housing and household forms in the meantime.

Small Interventions
Edited by Walter Nägeli and Niloufar Kirn Tajeri. Published by Birkhäuser. 144 pages, 18.5×26 cm, ISBN 978-3-0356-0718-5.
KIT – Karlsruher Institut für Technologie
2016
Publication
Publication
This publication examines the possibilities of updating the spatial structure of post-war modernist flat floor plans created during the building boom between 1960 and 1970. The authors analyse existing floor plan typologies in the context of the social changes that have significantly altered housing and household forms in the meantime.
Zones Poreuses
Publication
1/6
✕
Zones Poreuses↘
Edited by Galerie C and Guy Oberson. Self-published. 64 pages, 29×42 cm, ISBN 978-2-8399-1869-5
Galerie C, 2016
Publication
1/6
This book was published on the occasion of the exhibition “Zones Poreuses”, Carte Blanche to Guy Oberson featuring works by artists Guy Oberson, Jennifer Alleyn, Eric Manigaud, Françoise Pétrovitch, Eric Sansonnens, and Heike Schieldhauer, as well as texts by Dora Sagardoyburu, Antonia Nessi, and Christian Egger.

Related projects
Alain Huck & Françoise Pétrovitch – Nous sommes tous des loups dans la forêt profonde de l’éternité (Publication)
Artefacts (Publication)
Galerie C (Identity)
Zones Poreuses
Edited by Galerie C and Guy Oberson. Self-published. 64 pages, 29×42 cm, ISBN 978-2-8399-1869-5
Galerie C
2016
Publication
Publication
This book was published on the occasion of the exhibition “Zones Poreuses”, Carte Blanche to Guy Oberson featuring works by artists Guy Oberson, Jennifer Alleyn, Eric Manigaud, Françoise Pétrovitch, Eric Sansonnens, and Heike Schieldhauer, as well as texts by Dora Sagardoyburu, Antonia Nessi, and Christian Egger.
Galerie C Posters
Poster
1/8
✕
Galerie C Posters↘
Posters silkscreen printed by Uldry
Galerie C, 2012–2016
Poster
1/8
Archive of season’s posters designed for Galerie C over the years. Conceived to allow the creation of posters dedicated to specific exhibitions as well as an annual programme, Galerie C’s graphic system was adapted each year to minimise costs by printing and overlapping layers with silkscreen printing.

Related projects
Galerie C (Identity)
Galerie C Posters
Posters silkscreen printed by Uldry
Galerie C
2012–2016
Poster
Poster
Archive of season’s posters designed for Galerie C over the years. Conceived to allow the creation of posters dedicated to specific exhibitions as well as an annual programme, Galerie C’s graphic system was adapted each year to minimise costs by printing and overlapping layers with silkscreen printing.
Artefacts
Publication
1/7
✕
Artefacts↘
Edited by Matthieu Gafsou and Galerie C. Self-published. 64 pages, 29×42 cm, ISBN 978-2-8399-1619-6
Galerie C, 2015
Publication
1/7
Publication published on the occasion of the exhibition “Artefacts”, Carte blanche to Matthieu Gafsou, presenting works by the artists Matthieu Gafsou, Cyril Porchet, Nicolas Savary, Eduardo Serafim, Alexey Titarenko and Benoit Vollmer as well as texts by Nathalie Herschdorfer and Christian Egger.

Related projects
Alain Huck & Françoise Pétrovitch – Nous sommes tous des loups dans la forêt profonde de l’éternité (Publication)
Zones Poreuses (Publication)
Galerie C (Identity)
Artefacts
Edited by Matthieu Gafsou and Galerie C. Self-published. 64 pages, 29×42 cm, ISBN 978-2-8399-1619-6
Galerie C
2015
Publication
Publication
Publication published on the occasion of the exhibition “Artefacts”, Carte blanche to Matthieu Gafsou, presenting works by the artists Matthieu Gafsou, Cyril Porchet, Nicolas Savary, Eduardo Serafim, Alexey Titarenko and Benoit Vollmer as well as texts by Nathalie Herschdorfer and Christian Egger.
Yann Mingard – Ligne de fond
Publication
1/10
✕
Yann Mingard – Ligne de fond↘
Published by Scheidegger & Spiess.
136 pages, 23.5×32 cm, ISBN 978-3-85881-497-5
Enquête Photographique Neuchâteloise, 2015
Publication
1/10
This book was published as part of the “Enquête photographique neuchâteloise”, project launched in 2013 by La Chaux-de-Fonds’s City Library. The project aims to build a photographic “heritage of tomorrow” for the canton. The infrastructure for mobility and social cohesion have been changing profoundly in this region for years. Photographer Yann Mingard followed the route of the “TransRun”, an express railway project between the two urban agglomerations of the canton, Neuchâtel and La Chaux-de-Fonds, which was rejected by the population in a referendum in 2012.

Related projects
Olga Cafiero – Flora Neocomensis (Various)
Serge Fruehauf – Batirama (Publication)
Yann Mingard – Ligne de fond
Published by Scheidegger & Spiess.
136 pages, 23.5×32 cm, ISBN 978-3-85881-497-5
Enquête Photographique Neuchâteloise
2015
Publication
Publication
This book was published as part of the “Enquête photographique neuchâteloise”, project launched in 2013 by La Chaux-de-Fonds’s City Library. The project aims to build a photographic “heritage of tomorrow” for the canton. The infrastructure for mobility and social cohesion have been changing profoundly in this region for years. Photographer Yann Mingard followed the route of the “TransRun”, an express railway project between the two urban agglomerations of the canton, Neuchâtel and La Chaux-de-Fonds, which was rejected by the population in a referendum in 2012.